Moloch, 2024
Modified 55 gallon barrel, flame lights, digital audio file (1hr loop), digital audio player, speaker
35 x 24 x 24 in (88.9 x 61 x 61 cm)
Holy Water and Lady Garden, 2024
Beverage cooler, Liquid Death canned water (12 oz.), Health-Ade Pink Lady Apple bottled Kombucha (16 oz.)
22.5 x 17 x 16.5 in (57.2 x 43.2 x 41.9 cm)
Folding Devotion Table, 2024
Folding table, moving blanket
30 x 50 x 27 in (76.2 x 127 x 68.6 cm)
Binder with Artist Portrait, 2024
Mini 3-ring binder, sleeve protector, black and white photograph
2 x 16 x 9.25 in (5.1 x 40.6 x 23.5 cm)
Moloch Mini, 2024
Modified tallboy Liquid Death can, flickering battery-powered votive
7.5 x 2.75 x 2.75 in (19.1 x 7 x 7 cm)
Covered Caprice, 2024
PVC Free Flex banner with grommets
48 x 24.5 in (121.9 x 62.2 cm)
Folding Devotion Table, 2024
Folding table, moving blanket
30 x 50 x 27 in (76.2 x 127 x 68.6 cm)
Jeans and Sweatshirts, 2024
Jeans, sweatshirts
18 x 52 x 29 in (45.7 x 132.1 x 73.7 cm)
St. Luke in the Fields, New York, 2024
Two local parish chairs, monitor, media player, headphones, digital video (color, duration 3 min 11 sec)
31 x 58 x 26 in (78.7 x 147.3 x 66 cm)
The artist and Derosia would like to thank St. Luke in the Fields for the loan of two parish chairs.
Looks Like You Made It, 2024
10 Erewhon paper shopping bags
56 x 47 x 9 in (142.2 x 119.4 x 22.9 cm)
Chinatown USA, 2001
Carved wood sign, spray paint
42.5 x 5.5 x 0.75 in (108 x 14 x 1.9 cm)
D’Ette Nogle (b. 1974, United States of America) lives and works in Los Angeles. She received her MFA from The University of California, Los Angeles. Recent solo exhibitions include MATERIALOUTPOST: IN-COUNTRY at American Legion Post 206, Hannah Hoffman, Los Angeles, CA (2024); ˙|˙, Sweetwater, Berlin, Germany (2020); Bleeding Canvas, Bodega (Derosia), New York, NY (2019); D’Ette Nogle, 2019, Hannah Hoffman, Los Angeles, CA (2019). Recent group exhibitions include Every lie has an audience, curated by Attilia Fattori Franchini and Felix Gaudlitz, Marsèll, Milan, Italy (2022); The Art of Critique, Franz Hals Museum, Haarlem, Netherlands (2022); Time Without End, Fluentum, Berlin, Germany (2021); When There Is No Laughing Matter, Laughter Matters, Halle für Kunst, Lüneburg, Germany (2021); An Artist Age Mess, Bodega (Derosia), New York, NY (2020); Can You Feel It?, Last Tango, Zurich, Switzerland (2020); Maskulinitäten, Bonner Kunstverein, Bonn; A story forms, Bel Ami, Los Angeles, CA (2019); and Not Quite Verbatim, Hessel Museum, CCS Bard, Annandale-on-Hudson, NY (2019).