Derosia
Artists Exhibitions Publications About
Derosia
Artists Exhibitions Publications About

Gene Beery

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Gene Beery

b. 1937, Racine, Wisconsin

d. 2023, Sutter Creek, California.

 

 

For over fifty years, Gene Beery developed a body of work consisting of paintings, photographs, videos, and artist’s books. From his earliest works in the 1960s, Beery’s text-based paintings satirically proclaim their own purpose, or position in the arc of art history, telegraphing artistic anxiety and art world absurdity. Beery arrived in New York in 1959. His first solo exhibition at Alexander Iolas Gallery was both prescient and overlooked, yet during his brief stint in New York he established lasting friendships with Sol LeWitt, Lucy Lippard and James Rosenquist. Beery left for California in 1963, eventually settling in the foothills of the Sierra Nevadas and starting a family with his wife Florence at a property he playfully coined Logoscape Ranch. In California, he developed and expanded his text-based practice, enlivening his canvases with imagery and technicolor, while developing a personal vocabulary of neologisms, koans and puns. In the 1980s, Beery began creating artist’s books, funded by LeWitt, which simplified his aesthetic and informed the curtness of his late paintings: proclamations in black paint on blank, pre-stretched canvas. Since the turn of the millennium, his practice has become increasingly pervasive, his paintings and their ephemeral cardboard analogs peppering his property, along with impromptu sculptures that cement his longstanding Dadaist sensibility. This relentless production and permeation of work is what led Domenick Ammirati to state in Artforum that, despite never intersecting with its practitioners, Beery may have been the last living Fluxus artist.


 

EDUCATION


University of Wisconsin, Milwaukee, Wisconsin

Layton School of Art, Milwaukee, Wisconsin

Arts Student League, New York, New York

 

 

SOLO EXHIBITIONS

 

2024

Gene Beery Memorial Exhibition, Cushion Works, San Francisco, CA

Practice Quotidian Ecstasy, Derosia, New York, NY

2022Portrait of the Artist as a Spandex Tuxedo, Parker Gallery, Los Angeles, CA
2020Transmissions from Logoscape Ranch, organized by Nick Irvin and Jordan Stein, Bodega (Derosia), New York, NY
2019

New Mythic Visualizations, organized by Nick Irvin and Jordan Stein, Cushion Works, San Francisco, CA

Gene Beery Retrospective, Kunsthalle Fribourg, Fribourg, Switzerland

2017Wall Dancers, Shoot The Lobster, Los Angeles, CA
2016Logoscapes / Visual Percussion, organized by Gregor Quack, Jan Kaps, Cologne, Germany
2013Early Paintings / Later Photographs, Algus Greenspon, New York, NY
2010Algus Greenspon, New York, NY
2001sgnitniaP, Mitchell Algus Gallery, New York, NY
1999Paintings, Mitchell Algus Gallery, New York, NY
1980Matrix 55, Wadsworth Atheneum, Hartford, CT
1970Right Between the Eyes Art, Quay Gallery, San Francisco, CA
1963Alexander Iolas Gallery, New York, NY

 

 

SELECTED GROUP EXHIBITIONS

 

2023

Tell Me What You Want, Bel Ami, Los Angeles, CA 

Rules & Repetition, Wadsworth Atheneum Museum of Art, Hartford, CT

Dowsing, curated by Nick Irvin, Emanuel Layr, Vienna, Austria

Anything can pass before the eyes of a person, Derosia, New York, NY

Walk Against the Wind, Presented by Micki Meng and Parker Gallery, New York

2022

AOULIOULE, Musée régional d’art contemporain Occitanie, Serignan, France

The Drawing Centre, Le Consortium, Dijon, France

words as poetical weapons!, OV Project, Brussels, Belgium

2021

Stop Painting, curated by Peter Fischli, Fondazione Prada, Venice, Italy

Paradis, Claude Balls Int, Maison R&C, Marseille, France

Landscape, Bodega (Derosia), New York, NY

Alphabetic Image, Arsenal Contemporary, New York, NY

2020Ride Off Like a Cowboy Into Your Sunset, Aguirre, Mexico City, Mexico
2018

Under Erasure, Pierogi Gallery, New York, NY

After Hours in a California Art Studio, Andrew Kreps, New York, NY

2017FOTG, Mitchell Algus Gallery, New York, NY
2016

Drawing Dialogues, The Drawing Center, New York, NY 

Concept, Performance, Documentation, Language, Mitchell Algus Gallery, New York, NY

The Product & The Post-product, Part 1, Kunstverein Wiesbaden, Germany

2015

The Silo, curated by Raphael Rubenstein, Garth Greenan Gallery, New York, NY 

I Dropped the Lemon Tart, Lisa Cooley, New York, NY

June, Simone Subal Gallery, New York, NY

2014

Particular Pictures, The Suzanne Geiss Company, New York, NY

Keeping a Close Eye on the Wind, Bodega (Derosia), New York, NY

Keeping a Close Eye on the Wind, Freddy, Baltimore, MD

Activities for a spare hour. Culture vultures. Feed your brain. Going in a group. Going solo. Mood. Chill, Organized by Bodega (Derosia), Queer Thoughts, Chicago, IL

2013

The Picnic: Adriana Lara & Gene Beery, Algus Greenspon, New York, NY

Sol Lewitt as Collector. An Artist and his Artists, Museo d’ Arte Contemporanea Donna Regina, Naples, IT; Centre Pompidou-Metz, Paris, France

2012

Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art, Brooklyn Museum, Brooklyn, NY

Context Message, Zach Feuer, New York, NY

2011

Summer Salt, The Proposition, New York, NY

Heads With Tails, organized by West St. Gallery at Harris Lieberman, New York, NY

2010White Columns Annual, Curated by Bob Nickas, White Columns, New York, NY
2008

No Images of Man, Curated by Mitchell Algus, Gering & Lopez Gallery, New York, NY

Never Work, Curated by Roger White, 191 Henry St, New York, NY

2006Exquisite Corpse, Curated by Bob Nickas and Mitchell Algus, Mitchell Algus Gallery, New York, NY
1999Red, Mitchell Algus Gallery, New York, NY
1977La Mammelle Artspace, San Francisco, CA
19751975 Biennial Exhibition, Whitney Museum of American Art, New York, NY
1973Drawing II, Quay Gallery, San Francisco, CA
1970955,000, curated by Lucy Lippard, Vancouver Art Gallery, Vancouver, Canada
1969

557,087, curated by Lucy Lippard, Seattle Art Museum, Seattle, WA

Number 7, curated by Lucy Lippard, Paula Cooper Gallery, New York, NY

The Spirit of Comics, University of Pennsylvania Institute Contemporary Art (ICA), Philadelphia, PA

196551st Wisconsin Painters and Sculptors Annual, Milwaukee Art Center, Milwaukee, WI
1962Recent Painting USA: The Figure, Museum of Modern Art, New York, NY

 

 

AWARDS AND GRANTS
 

1994California State Fair Award of Excellence, Painting
1983N.E.A. Artist's Books Grant
1962William and Noma Copley Foundation
1961Max Ernst Grant

 

  

SELECTED PRESS


Art and the Hand as a Transmitter of Thinking, Terry R. Meyers, ArtReview, October 24, 2022

Gene Beery, Dominick Ammirati, Artforum, October 2020, Print

Missing Galleries Amid Covid-19? Check Out these Exhibitions Behind Closed Doors, Frieze, March 20, 2020

Gene Beery, Will Heinrich, New York Times, April 2, 2020, Print

Gene Beery at Cushion Works, Theadora Walsh, Artforum, December 2019

Gene Beery at Fri Art Kunsthalle, Kari Rittenbach , Artforum, September 2019

Gene Beery — why the cult American artist’s time has come, Melanie Gerlis, Financial Times, June 13, 2019

Life: 3 ½ Stars, Nick Irvin, Art in America, November 2016, Print

Review: Group exhibition organized by Bodega at Queer Thoughts, Amanda Roscoe Mayo, SFAQ, April 2014, Print

Early Paintings and Recents Photographs, Adèle Bossard, Curator’s Choice, April 2013

500 Words: Gene Beery, Frank Expósito, Artforum, April 5, 2013, Print

Interview with Gene Beery, Joshua Abelow, ART BLOG ART BLOG, March 2013

Gene Beery, Asher Penn, Sex Magazine, Summer 2013

Play Times, Charlie Finch, Artnet.com, October 17, 2011

Gene Beery, Kimberly Chou, Art in America, November 23,  2010

Gene Beery, Claire Barliant, The New Yorker, October 2010, Print

Gene Beery, Piper Marshall, Artforum, October 2010

Gene B. Beery, Raphael Rubinstein, The Silo, July 2010

Charley 05, Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, Deste Foundation, 2005, Print

Art in Review: Gene Beery, Ken Johnson, The New York Times, May 4, 2001, Print

Conceptual Art: Over, and Yet Everywhere, Roberta Smith, The New York Times, April 25, 1999, Print

All Things Considered, National Public Radio, 1985

I think therefore I art, Thomas McEvilley, Artforum, Summer 1985, Print

Art in the San Francisco Bay Area 1945-1980, Thomas Albright, University of California Press, 1980, Print

MATRIX 55, Andrea Miller-Keller, Wadsworth Atheneum Catalogue, 1979, Print

Six Years: The dematerialization of the art object from 1966 to 1972, Lucy Lippard, University of California Press, 1973, Print

Drawings as Attitude, Cecile N. McCann, Artweek, September 1973, Print

Changing, Lucy Lippard, Dutton, 1971, Print

Eclipse of the Mood, Cecile N. McCann, Artweek, September 1970, Print

557,087: Seattle, Peter Plagens, Artforum, November 1969, Print

Catch ’63 So Far, Stuart Preston, The New York Times, April 7 1963, Print

Les Animaliers Stage Comeback, Stuart Preston, The New York Times, March 4, 1963, Print

 


PUBLIC COLLECTIONS
 

Wadsworth Atheneum, Hartford, Connecticut

di Rosa Center for Contemporary Art, Napa, California

New Mexico Museum of Art, Santa Fe, New Mexico

Blanton Museum of Art, Austin, Texas

Middlebury College Museum of Art, Middlebury, Vermont

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