D'Ette Nogle
D’Ette Nogle
b. 1974, United States of America
Lives and works in Los Angeles, CA
Since the 1990s, D’Ette Nogle has cultivated a practice in video and installation that is at once probing and discursive, navigating the material expressions of social, political, cultural and economic forces and the critical points at which they intersect. Also a public high school teacher in Los Angeles, Nogle deftly navigates the boundary between exposition and didacticism. Nogle’s subjects range from the relationship between an artist and their product, to the global impacts of American capitalism since the Second World War. Her videos and their installation-based trappings carefully sequence material from popular culture, art history, critical theory, and world history, punctuated with moments of unflinching self-disclosure. Presenting an abundance of concrete information, yet elegantly maintaining a margin of ambiguity in her theses, Nogle’s work continually advances the dialectical over the absolute.
EDUCATION
| 2000 | MFA, University of California, Los Angeles |
| 1997 | BA, Chapman University, Orange, CA |
SELECTED SOLO EXHIBITIONS
| 2024 | Dime Store D'Ette, Derosia, New York, NY |
| MATERIALOUTPOST: IN-COUNTRY, American Legion Post, Hannah Hoffman Gallery, Los Angeles, CA | |
| 2020 | ˙|˙, Sweetwater, Berlin, Germany |
| 2019 | Bleeding Canvas, Bodega (Derosia), New York, NY D’Ette Nogle, 2019, Hannah Hoffman, Los Angeles, CA |
| 2016 | New Paintings, Reserve Ames, Los Angeles, CA |
| 2015 | Not a Police Black Site ;-), Egg, Chicago, IL Absolute, Relative, Cosmic (The Practice of Every-day Art), The Finley, Los Angeles, CA |
| 2014 | Michael Clifton & Michael Benevento and D´Ette Nogle Present: Regressing to Mean, Clifton Benevento, New York, NY Los Angeles Contemporary Archive and D´Ette Nogle Present: Regressing to Mean (Off-Site Testing), Los Angeles Contemporary Archive, Los Angeles, CA |
| 2012 | Michael Clifton & Michael Benevento and D’Ette Nogle Present: Information from Two Sources, Clifton Benevento, New York, NY |
| 2011 | Reality/Relax, Parker Jones Gallery, Culver City, CA |
| 2009 | Suspended Projection, Room Gallery, University of California, Irvine, CA |
| 2001 | How Deep Is Your Love?, Los Angeles Contemporary Exhibitions, LA After Wholes & A Sum of Parts, Guggenheim Gallery Project Room, Chapman University, Orange, CA |
| 1998 | Dear Joan, Plastica, Los Angeles, CA |
SELECTED GROUP EXHIBITIONS
| 2022 | Every lie has an audience, curated by Attilia Fattori Franchini and Felix Gaudlitz, Marsèll, Milan, Italy The Art of Critique, Frans Hals Museum, Haarlem, Netherlands |
| 2021 | Time Without End, Fluentum, Berlin, Germany When There Is No Laughing Matter, Laughter Matters, Halle für Kunst, Lüneburg, Germany |
| 2020 | An Artist Age Mess, Bodega (Derosia), New York, NY Can You Feel It?, Last Tango, Zurich, Switzerland |
| 2019 | Maskulinitäten, Bonner Kunstverein, Bonn, Germany A story forms, Bel Ami, Los Angeles, CA |
| 2018 | Not Quite Verbatim, Hessel Museum, CCS Bard, New York Gallery Share hosted by Hannah Hoffman, Kristina Kite, and Paul Soto, Los Angeles |
| 2017 | Hurts to Laugh, curated by Sarah Lehrer-Graiwer, Various Small Fires, Los Angeles, CA |
| 2016 | A Change of Heart, curated by Chris Sharp, Hannah Hoffman, Los Angeles, CA |
| 2015 | EGG, Essex Street, New York, NY New Location, Michael Benevento, Los Angeles, CA |
| 2014 | Tragedy Plus Time (off-site exhibition of Made in L.A. organized by Public Fiction), Public Fiction, Los Angeles, CA And Yes, I Even Remember You., Aran Cravey Gallery, Los Angeles, CA |
| 2013 | Shangrila 2013: Burrito Deluxe, curated by Steven Bankhead and Jesse Benson, Shangrila, Joshua Tree, CA |
| 2012 | IN/SITU, EXPO Chicago, curated by Michel Ned Holte, Chicago, IL Made In L.A. 2012, the Hammer Museum, Los Angeles, CA She’s Not There, organized by Andrew Berardini and Dave Muller, Three Day Weekend at Public Fiction, Los Angeles, CA |
| 2011 | GREG WILKEN TORBJORN VEJVI LYNTON TALBOT CAULEEN SMITH SEACA (SOUTHEAST ASIAN COMMUNITY ALLIANCE) MARK ROEDER ANDREA ROBBINS AND MAX BECHER D’ETTE NOGLE DYLAN MARCUS BRIAN MANN TORY LOWITZ FRED LONIDIER AMY LAUGHLIN LISA LAPINSKI WILLIAM JONES DANIEL INGROFF KATIE HERZOG KEVIN HANLEY AARON GM ERIK FRYDENBORG RACHEL FOULLON TRAVIS FARMEN TOM ELLIS LUCY DODD MICHELE DI MENNA JESSE BENSON WILL BENEDICT MERWIN BELIN, exhibition design by Jesse Benson and Brian Mann, Las Cienegas Projects, Los Angeles, CA 3348 Hours of Sunshine, Clifton Benevento, New York, NY Progression Minus Progress, Curated by Sarah Lehrer-Graiwer, Romer Young Gallery, San Francisco, CA |
| 2010 | Says I, Parker Jones Gallery, Culver City, CA D’ark Garden, collaborative project with Mark Roeder, organized by Brooks Hudson Thomas, Specific Merchandise, Los Angeles, CA |
| 2009 | Delusionairium 4, organized by Jesse Benson, Circus Gallery, Bonelli Contemporary, and David Salow Gallery, Los Angeles, CA |
| 2004 | Cool Intentions, Curated by Alex Israel, Sandroni Rey, Venice, CA |
| 2002 | A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffman, The Project, Los Angeles, CA (collaborative project presented by “The Substitutes” with Melissa Longenecker) |
| 2001 | Sonsbeek 2001, curated by Jan Hoet, Arnhem, Netherlands Present Sonsbeek 9, Museum Voor Moderne Kunst, Arnhem, Netherlands Snow, curated by Jacob Rhodes, Practice Space, Los Angeles, CA Forever Infinite, curated by Rebecca Carter, Black Dragon Society, Los Angeles, CA |
| 2000 | Not Coming, Projections: Intermission Images VII, curated by Catherine Lord, Side Street Projects, Los Angeles |
| 1998 | Caption, organized by Jessica Bronson, Three Day Weekend, Los Angeles, CA |
LECTURES
Frans Hals Museum & Studium Generale Reitveld Academie, Haarlem, The Netherlands, May 2022
Graduate Art Seminar, ArtCenter College, Pasadena, CA, September 2019
Reserve Ames-CSUN Lecture Series, Cal State University Northridge, CA, March 2018
Otis College of Art and Design, Westchester, CA, January 2012
Chapman University, Orange, CA, March 2001
PUBLICATIONS
| 2022 | The Art of Critique, Edited by Melanie Bühler, Published by Lenz Press, Milan, Italy |
| 2002 | Charley 01, Edited by Maurizio Cattelan, et. al., Published by D.A.P./Distributed Art Publishers, New York |
| 2001 | Sonsbeek 9, exhibition catalogue, Edited by Jan Hoet and Dieter Roelstraete, Arnhem, Netherlands |
SELECTED PRESS
D’Ette Nogle, Isabel Parkes, Artforum, October 2020
Teach Me How to Dougie: D’Ette Nogle, Attilia Fattori Franchini, Mousse Magazine, Issue 71, Spring 2020, Print
D’Ette Nogle, Artforum, David Muenzer, Artforum, April 2019, Print
D’Ette Nogle at Hannah Hoffman Los Angeles, Jonathan Griffin, ArtReview, March 2019, Print
D’Ette Nogle at Public Storage, Catherine Wagley, Contemporary Art Review LA, February 13, 2019
Los Angeles Gallery Share, Jonathan Griffin, art agenda, March 28, 2018
Five Shows in March: Gallery Share at Hannah Hoffman, Exhibitionary, March 2018
‘Hurts to Laugh’ at Various Small Fires, Blouin Artinfo, August 17, 2017
A Change of Heart, Hyunjee Nicole Kim, This Is Tomorrow, July 14, 2016
‘A Change of Heart’ at Hannah Hoffman, ARTnews, July 13, 2016
Around the World in 10 Booths at Frieze New York, Mostafa Heddaya, Blouin Artinfo, May 14, 2015
EVOO Abounds at Frieze, Anneliese Cooper, Blouin Artinfo, May 14, 2015
Zak Kitnick and D’Ette Nogle Bring Pure Olive Oil to Frieze, Alex Greenberger, Artnews, May 13, 2015
Brief but potent memory: ‘And yes, I even remember you’ at Aran Cravey, Sharon Mizota, L.A. Times, August 22, 2014
In the Spirit of Summer Memories, Alicia Eller, Hyperallergic, August 22, 2014
Regressing to Mean: D’Ette Nogle, Cura, May 15, 2014
Staving off the Sophomore Slump: D’Ette Nogle at Clifton Benevento, Brienne Walsh, Art in America, May 12, 2014
Interview with D’Ette Nogle, Matteo Mottin, ATP Diary, April 22, 2014
10 Things to Do in New York’s Artworld Before April 20, Andrew Russeth, New York Observer, April 14, 2014
Back to the Beach, Andrew Russeth, New York Observer, December 11, 2012
D’Ette Nogle Does the Dougie, Andrew Russeth, Gallerist NY, December 7, 2012
D’Ette Nogle, Clifton Benevento, Brienne Walsh, Art in America, October 2012, Print
Made in L.A.: D’Ette Nogle, Kyle Fitzpatrick, L.A. I’m Yours, May 8, 2012
Suspended Projection, Sarah Lehrer-Graiwer, ArtReview, Issue 37, December 2009, Print
Charley 01, Maurizio Cattelan, et. al., D.A.P./Distributed Art Publishers, New York, 2002, Print
Sonsbeek 9, exhibition catalogue, Jan Hoet and Dieter Roelstraete, Arnhem, Netherlands, 2001, Print
Report from Holland: Nature, Faith and Commerce, Diane Shamash, Art in America, December 2001, Print
PUBLIC COLLECTIONS
Frans Hals Museum, Haarlem, The Netherlands
The Hammer Museum, Los Angeles, CA
Museum Voor Moderne Kunst, Arnhem, Netherlands