Plop Fall the Plums
    
  
    March 9–April 13, 2014
  
    
       
     
     
    Sam Anderson
Chess, 2014
Snail shells, lacquer, wood, wine, wax, flour
 
    Tomer Aluf
Untitled, 2014
Oil on canvas
 
    Tomer Aluf
Untitled, 2014
Oil and 150 grams of almonds on canvas
 
    Tomer Aluf
Untitled, 2014
Oil on canvas
 
    Chloe Seibert
Concrete Expression #13, 2014
Concrete
 
    Chloe Seibert
Concrete Expression #13, 2014
Concrete
 
     
    Carlos Reyes
Day rate, 2014
3D powder print, incense
 
    Rochelle Goldberg
canoptic frame, 2014
Steel, latex, plastic bag
 
    Rochelle Goldberg
shed, 2014
Ceramic, aluminum, pleather
 
    Tova Carlin
Une tache au plafond, 2014
Inkjet print
Tova Carlin
Ca ne vaut pas le pet d'un lapin, 2014
Inkjet print
 
     
    Tomer Aluf
Untitled, 2014
Oil on canvas
 
    Tomer Aluf
Untitled, 2014
Oil on canvas
When I was trying to describe this to you I said, this reminds me of seeing someone standing on the street, on a corner, smiling. It's like a performance, intuitively, that smile. I keep coming back to it, that image. It's daytime and I thought all of this with feeling that is not related to my life as it actually is now, but to the secondary sense by means of which I view and judge my own memories. (This is the part that is the most important.) And when I was trying to describe this to you I said that there could be a sort of conversational humor—something not located in a specific joke or even in her timing—like someone's words have got a soft glaze on them and we can even "view" them. This goes on for almost an hour.
-Lucy Ives