Plop Fall the Plums
March 9–April 13, 2014
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Sam Anderson
Chess, 2014
Snail shells, lacquer, wood, wine, wax, flour
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Tomer Aluf
Untitled, 2014
Oil on canvas
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Tomer Aluf
Untitled, 2014
Oil and 150 grams of almonds on canvas
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Tomer Aluf
Untitled, 2014
Oil on canvas
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Chloe Seibert
Concrete Expression #13, 2014
Concrete
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Chloe Seibert
Concrete Expression #13, 2014
Concrete
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Carlos Reyes
Day rate, 2014
3D powder print, incense
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Rochelle Goldberg
canoptic frame, 2014
Steel, latex, plastic bag
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Rochelle Goldberg
shed, 2014
Ceramic, aluminum, pleather
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Tova Carlin
Une tache au plafond, 2014
Inkjet print
Tova Carlin
Ca ne vaut pas le pet d'un lapin, 2014
Inkjet print
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Tomer Aluf
Untitled, 2014
Oil on canvas
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Tomer Aluf
Untitled, 2014
Oil on canvas
When I was trying to describe this to you I said, this reminds me of seeing someone standing on the street, on a corner, smiling. It's like a performance, intuitively, that smile. I keep coming back to it, that image. It's daytime and I thought all of this with feeling that is not related to my life as it actually is now, but to the secondary sense by means of which I view and judge my own memories. (This is the part that is the most important.) And when I was trying to describe this to you I said that there could be a sort of conversational humor—something not located in a specific joke or even in her timing—like someone's words have got a soft glaze on them and we can even "view" them. This goes on for almost an hour.
-Lucy Ives